Emotions and Cognizance : The spectacle that it makes of life !!

Sunday 23 June 2019

Different birds and Pegasus Sermon

I was a swan,
Cruising along many swans.

I had a plan,
Days were right,
Future in sight,
Everything was bright.

I changed the plan,
Moving away many swans.
I took a flight,
I in fright,
Will I find home again?

Someone was a cuckoo,
Cruising along many cuckoos.
Someone was a falcon,
Cruising along many falcons.

Cuckoo took a flight,
Falcon took flight.
Will they find home again?

In the remote jungle,
The mythical horse rose,
If I can fly, why can’t you mingle?
This is what you chose.

Pegasus changed swan,
Pegasus changed cuckoo,
Pegasus changed falcon.
They were all at home.
They were at IIMB.

Tuesday 14 February 2017

The dilemmas of the sloping roof


They stood there for too long.

On the thick walls,
On the strong trusses,
One by one,
Stacked side by side,
The clay tiles lie.

The wind blows up the body,
The water runs down the body,
One by one,
From the trees nearby,
The fallen leaves lie.

They have seen too many.

Men came and went,
Children played and went,
One by one,
The characters left,
The moments remain lie.

Webs were woven under,
Nests were laid under,
One by one,
The rodents left,
The shelter still lie.

They have stood still.

The beauty was admired,
The grandeur was cherished,
One by one,
The colours went pale,
The grey dust lie.

Building rose new and high,
Roofs became flat and high,
One by one,
The neighbours were gone,
The home still lie.

They have many questions.

It can't rise, 
It can't move,
One by one,
The questions piled,
Existence still lie.

It can give, it get admired,
But it can't take,
One by one,
It can't dare choose,
The plight lie.

The dilemmas that a sloping roof faces.

PS - When Google voice recognition types 'sadist' instead of 'cherished'; 'mini' instead of 'many' and 'flight' instead of 'plight'; it really sums up what is wrong with the world today. 

Thursday 20 October 2016

Smaller Ants, Big Ants, Lizard and Snake

Its strange how fast the fan rotates and it never falls off. And I can see through the rotating blade, the ceiling has lost the shine of its white colour. There are hints of recently removed spider webs on the ceiling.

The CFL bulb in the room removes the difference between day and night, its always glowing, its always the same. To remove the confusion, I look at my mobile, its 12.40 am. Its raining outside and the sound of rain outside and rotating fan inside is mixing up. Its not disturbing, its soothing.

The walls are light yellow and the room is small. The mosquito net on the other bed is swaying.The blue curtains are also swaying.

There is a hole in the wall. some big black ants are concentrated around it. They are all static. There is another line of smaller black ants running across the wall from floor to ceiling and disappearing into the ventilator. They just keep on following each other, one after another in a queue. Its monotonous, its repetitive. But I keep watching them. Those tiny bodies moving so fast, those tinier slender legs floating over the wall. The line of ants seems to stretch to infinity. The individual ants cease to exist, a dark line instead takes place of the queue.

The dark line breaks up in between. The smaller ants are in a disarray. A big ant has broken this line. The smaller ants are attacking this big ant. So many smaller ants are biting this big ant. But this big ant calls for help. Soon, from the hole of the wall, a number of big ants start swarming out. And there is a mayhem. Big ants break hell over smaller ants, they bit them and cut them into pieces. The severed bodies of smaller ants are falling on the floor.

One lizard is keenly lurking around the falling ants on the floor. It is interested in this free meal. It throws out his long tongue and sucks in one of the severed body. This makes other ant bodies run away towards the door. Some ants have only the upper half, others the lower half and they are dragging themselves away towards the door. The lizard is angry. It growls and fans out its ears. It raises its body on all four legs and swings its tongue out in the air. It moves towards the door and suddenly stops in horror.

A snake head appears beneath the door. It moves its body inside the room from below the door space. All the severed ant bodies are struck to the snakes body as it makes its way into the room. The lizard tries to stop the movement of snake by raising its front legs one by one and making growling noises. The snake raises its head and in one strike the lizard is gone into its long unending slimy body.

The size of the snake starts to increase. It is thicker and longer. It sees me on the bed lying terrified. Its body raises as a spring coil. The big thick sticky shiny curvatures one above others raising it to the ceiling height. The severed bodies of ants sticking to its body are also larger now. The fan blows those ants around the snake like a garland. The snake raises its head once again. I am paralyzed in fear. The big mouth of the snake opens and it strikes me. 

I am shaking. Its wet, hot and dark inside the snake.

Its power cut. I am sweating.    


Tuesday 15 March 2016

On why I am not fat

Life throws you many challenges. Most of them, we accept humbly and try to fend it off. Some, we make a mess of it and still hold on to fight it off. And a few of the challenges get under our skin. Literally.

The baggage of those extra kilos under our skin is not only 'figure distorting' but also 'life threatening' as we are told. The booming business of fat burning never fails to get this off your head.

You open TV sets and it will be showing you 'slim and muscular' bodies on 'naaptol'. Order this now on '7373...' and get 70% off. Be it slimming belt or exercise rope or fat burning capsule or body shaping clothes, you feel like all the energy crisis in the world is due to over accumulation of bio energy in human bodies. Newspapers and magazines are not far behind. 'Fat go oil', 'body toner pills' etc are the main revenue sources of print media advertisement, it seems. You take a walk in food section of big bazaar and there you see 'less oily oils' , 'less sugary sugar', what the hell! All biscuits have fiber in it, all breakfast items have more fiber in them, as if we were born to munch wheat bran.

The neighbourhood Shukla aunty is the new local icon. She wakes up at 4 am in the morning, drinks warm water with lemon before relieving herself and launching herself onto the colony roads in sports shoes and knotted dupatta across waist. After huffing and puffing for one hour, she then goes to yoga classes and eats no rice. She once had a 46 inch waist, which is now only 38, as we are told. All this while we poor losers sleep our way to ever expanding waistline.

In this mean world, where everyone is looking for the 'perfect selfie', being branded in the 'MCG' category for long has been stressful. No, its not Melbourne Cricket Ground, its 'motu', 'chotu', 'golu'.

You look at our cinemas.The heroes are lean, muscular, tough characters. And so are the villains. The chubby ones are sidelined to play the role of dumb brothers or stupid nerds in the college. Not only ugliness, even inefficiency is attached with chubbiness. The fat guys are non performing couch potatoes.

So, this extra fat leads to extra stress which in turn leads to more fat and the the vicious circle keeps rolling on. 

To break this circle, its important to demolish the very notion that "I am fat". For that, I have decided to come up with factors why I am not fat -

  1. Most of the Indians are too thin. Half our kids are malnourished. I am just healthy, better than most Indians. You can not blame a guy for the theory of relativity. 
  2. My genetic code leads to round body structure. Being round is not being fat, its just the bone structure.
  3. My internal organs are prone to frost bite. Hence a thicker insulation layer. This is not being fat.
  4. This is mere 'character illusion'. 'Branding', some may say. Few people are branded as cool, others as fat. The reality may vary.
  5. I have a bad dressing sense. Clothes make me look fat. In good dresses, I will be as slim as any one else.
  6. My stomach keeps food for the longer than average time for digestion. Hence it swells up more. My rest of the body is ok. You can not blame the stomach for trying to digest food in a better way.
  7. People must not judge a book by its cover. Some faces have 'fat-friendly-package'. It inter-alia doesn't imply fatness.  
  8. It is the fault finding society, that is at fault. when people can not find anything against someone, they use physical appearances as excuse.
  9. Cameras are made for people with sharp physical and facial features. Light when reflected by round surfaces does not form a sharp image. Hence, people with round faces and figures get their pictures fatter than they truly are. Shame on cameras!
  10. Normal mortal beings can not appreciate things beyond their time and locality. My body shape and size will be considered ideal in ages to come. I am just ahead of my times.

Hmmm, after making this comprehensive list, I feel confident. To all the people who are being tormented for body shape make your own such list and stick it on the wall of your home. And feel good, feel handsome. Don't let business of fat reducing affect you. Kick them hard. You have got one life only. Sleep, eat and sleep again, as God intended us to do. Everything else is "moh-maya".

P.S. I know there is difference between excuses and solid reasoning. This is the latter one.



 
 

Tuesday 25 August 2015

The Mountain God

I wake up to morning mist,
Its breaking dawn.
I wake up to mountains behest,
Its cloudy morn.

Dear God, is this the novelty?

I walk up to winding roads,
Its puddled up.
I walk up to clouded blinds,
Its stonehedged up.

Dear God, is this the sacrosanct path?

I wax up to ascending streches,
Its dewed deep.
I wax up to greeny wedges,
Its flowered steep.

Dear God, is this the portal?

I wait up to rising dazzle,
Its scattered clouds.
I wait up to sedate drizzle,
Its murked sounds.

Dear God, is this the splendour?

I wade up to transmundane pleasure,
Its spread infinite.
I wade up to eternal liesure,
Its transmitting bright.

Dear God, is this the YOU?

Saturday 1 August 2015

From the ghats of Banares : Riksa baba and Firangi pataka



First of all, thanks to my employer, Indian Railways, which is on the verge of choking down under the weight of its own enormous system, for cancelling my train from Kanpur to Kolkata. This led me to travel by bus from Lucknow to Banares and then to Kolkata by train. And I utilised this opportunity for ‘moksha prapti’ at the holiest of the Hindu towns, the Banares.   

The start was the least perfect. After being jerked in every possible angle for eight and a half hours on a UP state transport bus, I was staring at a long jam just outside Banares. The time was three fifty five am. I was sleep deprived due to multidimensional bone exercise at the second last row of seat on a shock-absorber less bus. The sound of constant clattering of fiber windows throughout the journey was still echoing in my mind.

My train was at eight forty am. I saw auto wallas around the jam scene. They were shouting ‘station...station’. I dragged out my backpack from beneath the seat and got down to take one of the autos. As soon as I stepped down, the first thing I saw was this rickshaw wala staring at the bus door. I turned around in the other direction towards autos. But a black and white image of Bhagat Singh, with his hairs folded as ‘judda’, sitting on a cot, from old NCERT history book crossed through my mind. This rickshaw wala looked exactly like him. Taking it as a divine sign, I turned back towards this rickshaw wala.

He was old, around fifty five years of age. He had pulled up his long hairs and tied them on the top of his head in the form of ‘judda’. Most of his hairs were white. But his face was clean shaven , long and thin. The stature was short. “Station jana hai, kitna dur hai?” I enquired. “2 km hoga”. “Chaliye”, I climbed up on his rickshaw. “Jam mein kaise jayenge?” “Galiyon se chalenge, road pe jane ka kya jarwat hai!”, he replied. It was still four and a half hours for my train. I was in Banares and the temptation to visit the famous ghats was always there. “Ganga ghat yanha se kitna dur hai?” “5 km hoga”. “Wanha ja kar darshan karne aur wapis aane mein train na nikal jaye”, I put forward a genuine worry. “Kitne baje ki hai train?” “Aath challis” “Ho jayega darshan”.

So, this undersized rickshaw wala wearing a yellowish-white old football jersey and a blue lungi peddled the way through the galis of Banares.   His feet clad in socks and torn sports shoes were reaching the pedals with difficulty.  His shoulders and hips of one side went down as he pushed the pedal on one side and in the rhythmic movement from one side to another.   

It was still dark. The shops along the narrow galis were closed. The creaking sound of rickshaw and the occasional barking of dogs were the only noises noticeable. The yellow street lights casted interesting shadows of rickshaw on street. The shadows near the lights were small and they elongated along the street as we moved away from light and then slowly it faded into another small shadow. And on the top of shadows, rickshaw walla’s judda was always present.

To break the monotony of the situation and to keep myself awake, I started a conversation. “Judda to sanyasi rekhte hain?” He took off one hand from the handle and kept the palm on his judda and laughed. “Bhaiyajee, hum bhi sanyasi hain”. He was happy that someone has noticed. “Naga baba hain hum” he added. Imagining this man whom I will refer as “riksa baba”, completely nude smeared in ashes and running down in a kumbh mela disturbed me. It may be noted that naga babas are nude ‘sadhus’ who lead a difficult life in Himalayas, which can be imagined considering sub zero temperatures and no clothes on body! They descend to Allahabad during kumbh mela attracting a huge contingent of national and international ‘bakhts’ eagerly awaiting their holy ‘darshans’. But this little ‘bhagat singh’ look alike man was not in the Himalayas! I was confused.

“Aap rickshaw chalate hain per...” I left out an open ended question. It’s not that I consider rickshaw pulling lowly, but the whole concept of naga sadhus is based upon leaving behind materialism. “Bhaiyajee” he took a turn into a relatively wider road, “ hindutva kya hai?”. It was a tough question for any person at any time, but with whole night of sleep deprivation, I was really not prepared for this.  

Sensing my inability to comprehend the subject, his small hands pointed out to small groups of women and men heading towards the ghats. The darkness had died out and the sky was greyish orange. Small groups of devotees, which have diverged into this wide road leading to ghats, were carrying small plastic bags containing the change over clothes. “ Ye log kyun aaye hain yanha?”. “Ganga ghat mein nahane ke liye”, I replied. “Bhaiyajee, aur gahrayee se sochein”, he insisted. “punya prapt karenge naha ke, sare pap dhul jayenge”, I stretched my answer. “Sahi kaha aapne, pap dhone aate hain log, ghaton pe, mandiro mein, pahadon pe, har jagah”, riksa baba added with emphasis “pap dhone”. So, what was he trying to tell, that sin is the mother of all religion!! I was in no mood to contest and we were nearing the ghats as the numbers of temples were increasing, and the typical smell of flowers lying in water along with incense stick was becoming stronger.

“Hindutva to pap dhona hai, magar aap naga sadhu kaise?” I was hell bent to get an answer. “Bhaiyajee, hum hindutva ke wahak hain.” Wahak means bearer. “Kitne hi logon ko ganga ghat ke darshan karaye apne jivan mein aur logon ne apne pap bhi dho liye, magar humme kya mila?”. He continued, “ hum to das rupyee savari pe riksa kichte reh gaye”. His voice exhausted from pulling rickshaw also sounded choked in sadness. It turned into that of guilt, “Magar, jyun humne nangi daud lagayi Allahabad ke sangam mein, logon ne mujpe aise paise bahaye”, he enacted the throwing of money using his one hand. “naga sadhu ko log bhagwan mante, humne paise ke liye kumbh mein naga sadhu banna shuru kar diya”.

Well, religion is a twisted concept. It doesn’t follow normal economic theories; it mixes mass psychology with anthropological myths and is served as a power centre to bend customary social theories. It was no doubt the ‘riksa baba’ has realised that working day and night to carry passenger was no match to smearing ashes and pretending to be a sadhu once every four years.            

We were at the ghat. Riksa baba showed me the big mast having dozens of halogen lights towering over ancient temple structures. He told me that I will get stairs leading to ghats from there. I thanked him for the wonderful company and handed him over a hundred rupee note. I convinced him that extra ninety rupees were for an excellent narrative he had provided.

I moved towards the big mast. Even though the day was about to break, hundreds of devotees were already present. As I made my way through groups of people on the stairs, I got the first look of the Ganges. It was not beautiful. A large portion of the river width was silted. The side of river along the ghat was occupied with small boats, from which the boatmen were shouting for the ride. I moved further down the stairs which was crammed with people, their shoes and chappals, flowers, incense sticks, red sindoor, broken diyas, ghee, dirt, hope and prayers. I reached at the bottom where silty, polluted waters of the holy Ganges were touching the concrete stairs.

There I met ‘firangi pataka’. She was what I will humbly put as “smoking hot”.

Banares attracts large number of foreign tourists. This town sells Hinduism and ganja(marijuana), and foreigners make a bee line for both. I had a lot of questions for them, and here was an opportunity.

She, the firangi pataka, was sitting alone on the stairs. And like most places in India, here too in this holy place, were a bunch of perverts happy to see hundreds of women take dip in the Ganges and then change clothes. But these ‘dudes’ standing near me, were not interested in those ‘brown skinned fatties’. Their gaze was fixed at the ‘firangi pataka’. I got this name from their conversations. Firangi means Foreigner and pataka means cracker. “Abe nadi kya dekh rahi hai, naha le janeman” commented one of the dudes.   

The level of pervertedness may differ, but my gaze too was fixed on her. She was clad in clothes from head to toe. She was wearing a cream coloured kurta and a white pyjama. Her head was covered with stole. Her white socks were adorned in red floaters.

I moved closer to her and stood at a little distance in front of her. The first rays of rising Sun were falling on her face. It was radiant. The greenish brown eyes were looking divine staring at the yellowish orange rays of the Sun. She was gorgeous, poised, and full of elegance and of course “smoking hot”. She didn’t notice me. And why would she? When the beauty of nature and the beauty in nature were appreciating each other, where did I stand?  

Still, persistence pays. Her eyebrows and lips in smile raised in unison as she noticed me as if questioning ‘what’? And I raised my lips in smile and shoulders in unison as if saying ‘I don’t know’. She signalled me with her hands to come near her. Quickly remembering all the attributes of a ‘cool dude’, I approached casually towards her. “Hey”, I tried to sound as foreign as possible. “Namaste”, she responded in a tone that was neither English nor American, but was deep and gentle at the same time.  Feeling foolish for acting too cool, I sat beside her on the stairs. She reverted back at staring into the rising Sun. I relooked at the scene before me, but this time I couldn’t feel the ugliness. I was wondering how our kids would look like.

Regaining my senses from fictional thoughts, I focussed on reality. “Do you find this beautiful?”. All I could see, in front of me, was an over polluted river and the Sun rising above it would be too hot too soon. “It’s the way you look”. I couldn’t grasp the concept; she on one hand couldn’t look any less dazzling from whatever way we look, but this river? “I am confused”, I blurted out. She turned and her eyes seemed to peek directly into my soul. This particular moment will remain etched into my heart forever, those extraordinary divine eyes with the depths of an ocean looking directly into mine, and I could sense the Sun’s rays refracting into her eyes and reflecting back into mine. I stood bare in admiration.  

“What’s your name?”, I think she had repeated this question. I searched for my name with my mind and gaze completely transfixed into her face. “Aaa..aa..Abhinav”. “Aa.a..Avinow, my name is Evelina” and she smiled broadly. I felt ashamed of stammering and staring. I lowered my gaze onto the stairs. “And as for your question, let’s go to the boats” and she started walking towards the river. I followed her in disbelief, anticipation and with obedience.    

I could feel the jealous looks of the ‘dudes’ piercing the back of my head. But, who cared? I was walking with the ‘firangi pataka’. There was uproar among boatmen to get the ‘madame’ on their boat. The men on the ‘darshan’ of Goddess were truly blessed. The ‘brown fatties’ were irrelevant as usual. She ignored them all and along the sides of Ganges, she walked pulling herself away from the crowd and the ghat. I followed, feeling at times to wave at the crowd as superstars do, but I was just the personal assistant to a superstar here.      

 We made our way along the ghat towards one end, where large numbers of boats were tied up along the shoreline. The concrete stairs were not present here. I saw a little boy relieving himself near one of the boats. She looked at him and smiled at me. God, did I mention she was beautiful?! “What’s your age?” I went direct for the jugular. She pulled herself up on one of the boats and shouted, “What?”. I shouted back, “your age?” “Forty two”, she emphasised by showing fingers on her hand, four on one hand and two fingers on another. I went into a shock. Here I was wondering what our kids would look like and she was forty two! “ Do you need a hand, boy?” Never before had I been hurt like this by someone calling me a boy. I gave her a hand and she helped me to get up on the boat.    

“You were confused what I find beautiful here, look for yourself”. She pointed out towards the ghat. It was not for the rising Sun over a river that she was interested in. It was not the view from the ghat, but the view of the ghat that was magnificent. There were old temples with red and yellow pieces of clothes hanging around, the sound of bells in the temples getting lost somewhere in the murmur and prayers of a devoted crowd, thousands of people concentrated on a small stretch of concrete stairs finding their way half naked towards the holy Ganges, those who reached the waters stood in content with folded hands facing the Sun, the small diyas floated into the Ganges making a twinkling effect, men and women devoid of material possession stood dipped in the faith of the unknown.

“You have similar scenes at Rome and Mecca, religion does have such effect on masses?” I questioned. “Christianity and Islam, and by that matter even Jainism, Buddhism and Sikhism, were propagated and started by some people at some point of recorded history. They are religions. This is civilization, the oldest surviving mass culture. No one started it. It is the masses that have created a religion.”       

I wished I had more time with her and with the ghats. I had a train to catch at 8.30 am. “You won’t take a dip?” She queried as we got down from the tied boat. “Will you?” I replied. And in the exchanged smile the meanings of physical dip were exhumed. We exchanged goodbyes.

As I moved up on the stairs away from the human miracle of God, I searched for the correct word of this “human miracle”. Was it religion or was it faith. Was it civilization or was it hope economics. Why for so many people taking a dip in the Ganges at Varanasi is the single most important thing they have done in their life? For riksa baba, this was his survival mechanism. Religion was a thing to earn livelihood, a thing that brought money. For firangi pataka, this was a subject of study, a research paper. A topic of fascination and romanticisation.

But for millions of other people religion is a hope of new start. A place where old sins are washed and blessings are taken for a fresh start. A mechanism to refuel yourself spiritually, emotionally and psychologically.   

Amen.

PS –
1.       Smoking hot is used for someone before whom you seem to lose control of your senses.
2.       “Brown skinned fatties” used for Indian women devotees is just an expression to bring out the contrast, viewing from the eyes of common ‘dudes’. It is not meant for generalisation and disrespect in any ways.
3.       Offense, if any, to Hinduism or the holy town is unintentional, and may be excused.          

Sunday 31 May 2015

My submission to creative writing course of Symbiosis- II

Introduction to Creative Forms of Writing

Prepare a report on different creative forms of writing

Literature is a broad term that encompasses almost all written work. Though certain definitions include oral works also. It helps to break forms of writing down into categories, for ease of understanding and analysis. Here are four commonly accepted creative forms of writing:
1.      Poetry
2.      Drama
3.      Prose fiction
4.      Essay/non-fiction

Poetry
Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility. - William Wordsworth.

A text is a poem when it has some sort of rhythm, and when it focuses on the way the words sound when put together. Poems are heavy in imagery and metaphor, and are often made up of fragments and phrases rather than complete, grammatically correct sentences. And poetry is nearly always written in stanzas and lines, creating a unique look on the page.

An example of poetry is Emily Dickinson's 'I Felt a Funeral in my Brain'
I felt a Funeral, in my Brain,
And Mourners to-and-fro,
Kept treading - treading - till it seemed,
That Sense was breaking through -
And when they all were seated,
A Service, like a,
Drum - Kept beating - beating - till I thought,
My Mind was going numb.

Poetry is often considered the oldest form of literature. Before writing was invented, oral stories were commonly put into some sort of poetic form to make them easier to remember and recite.

There are different types in which poetry is generally classified. These include- sonnet, elegy, ode, allegory, lyrics.

Drama
Drama consists of theatrical dialogues performed on stage. Dramas are usually called plays.

When written down the bulk of a drama is dialogue. Since dramas are meant to be acted out in front of an audience, it’s hard to fully appreciate them when looking only at pages of text.

There are various accepted types of drama – tragedy, comedy, melodrama, tragicomedy. Even these types have various sub types. For example comedies can be romantic comedy, satiric comedy, comedy of manners, restoration comedy, farce, comedy and a number of others.

A play consists of certain basic elements – plot, character, setting and theme. These elements together with the imagination of writer constitute dramas.

Some examples of drama are – Othello by William Shakespeare, The importance of being earnest by Oscar Wilde, Death of Salesman by Arthur Miller.
Prose fiction
Prose fiction is an imaginary story written down in everyday, natural language. It lets people leave reality, exploring characters and events that typically are limited only by the scope of the writer’s imagination. It generally uses a variety of techniques such as narrative and has a wide range in terms of length.
Prose is written in complete sentences and organized in paragraphs. Instead of focusing on sound, which is what poetry does, prose tends to focus on plot and characters.
Prose is broken down into a large number of other sub-genres. Some of these genres revolve around the structure of the text, such as novellas, biographies, and memoirs, and others are based on the subject matter, like romances, fantasies, and mysteries.
Generally speaking, there are three genres of prose fiction – i) Short fiction or short story ii) Novella or short novel iii) Novel.
Short stories are short in length. They have a maximum length of upto four to five thousand words. The short story has its origins in fables and myths, stories that were not sprawling epics but concise tales containing only a few characters and often a single focused message. Examples are 'The Tortoise and the Hare' or the myth of Icarus.
Examples of some famous short stories are -   "Signs and Symbols" by Vladimir Nabokov, I, Robot by Issac Asimov, Three Questions" by Leo Tolstoy etc.
The novella lies between the short story and the novel in terms of length and scope. Some of the most famous examples are – George Orwell’s Animal Farm, Jack London’s The Call of the Wild, Joseph Cornad’s Heart of darkness.
The novella lies between the short story and the novel in terms of length and scope. Some of the most famous examples are – George Orwell’s Animal Farm, Jack London’s The Call of the Wild, Joseph Cornad’s Heart of darkness.
Novel is like an endless canvas to a writer. Its length, characters, plots can be as huge, numerous and complex as the writer wishes. Novels in simpler words are full length work of fiction. Novels are found in various forms. Some of them are – spy novel, science fiction novel, romance novel, historical novel, thriller novel, fantasy novel, autobiographical novel etc. These forms depend upon the literary, social, cultural and economic conditions of that particular time. Few examples of novels are – Ulysses by James Joyce,  Pride and Prejudice by Jane Austen, War and Peace by Leo Tolstoy etc.                                                                                                                                      
Essay/Non fiction
Essay or non fiction writing is the most common form of writing in the present world. Most of the articles of newspaper, magazines, and pamphlets belong to this form of writing. With the advent of printing and popularisation of media, this form has gained popularity. In the age of digital communication and social media, the blogs, wall posts etc constitute the nonfiction form of writing. Comic books, graphic novels, scientific journals are some other types of writings.

Which specific form of literature do you like most and why?

Out of all forms of literature discussed above, I like short stories the most.
The short story has a limitation of length, but in the modern world it is the biggest advantage with it. They can convey a variety of emotions and ideas in minimum words. They are interesting to read and quick to give satisfaction to the readers.
The short story can be very educative with the most simplistic plot. “The toys of peace” by Saki is a perfect example for that. In this story, Eleanor and her brother Harvey are influenced by a newspaper article which suggested giving children ‘peace toys’ instead of gun and battlefield toys. On Easter, Harvey brought such peace toys to his nephews Bertie and Eric. The toys included a municipal dustbin, a model of YMCA building, and figures of some distinguished citizens. The nephews were not interested in them and the end of story they turn the models into forts and the citizens into soldiers. The siblings rue the fact that perhaps they are too late to make the change.  This short story gave a strong message on how toys to children are shaping the mindset of our future citizens.
But the beauty of short stories is that sometimes a simple looking plot also opens up a scope of varied interpretation. “Luck” by Mark Twain is an example of that. The author meets the reverend at a function organised in honour of lieutenant general Scoresby. There he is told about Scoresby by the reverend that “privately-he’s an absolute fool”. The author meets the reverend later to hear the story of ‘luck’. The reverend was a instructor in a military academy where Scoresby was getting training. He was weak in his studies and the reverend helped him cram up some questions before the test which luckily was the questions asked to Scoresby. He passed with flying colours. The reverend helped him throughout his career to hide his blunders as a mark of genius. According to reverend, the war with Russians was also won by Scoresby by luck as he confused with the directions left or right. The story looks simple but whether Twain is talking about luck and foolishness of Scoresby or the jealousy and failure of the reverend? Such open endedness makes short stories interesting.
The short story can be based on a single theme and yet convey a lot of information about certain time period. “Counterparts” by James Joyce can be quoted in this regard. Farrington is a copy clerk is scolded by one the partners of the law firm Mr. Alleyne for not making complete copies of a document in time. Farrington is infuriated by this and he pawns his watch-chain for drinking alcohol in the pub. Here he is humiliated by a perceived slight by an elegant young woman and defeat in an arm-wrestling contest. Frustrated by this, he goes home and beats up his son. This whole story is based on the frustration of Farrington. But the story also tells about Irish conditions in those days. Farrington's coworkers at the law firm have English and  non-Irish names (Parker, Higgins, Shelley, Delacour), and just before arriving at home in Sandymount, Farrington passes the barracks where English soldiers live. In the last scene of "Counterparts," when Farrington begins to beat him, the boy desperately offers "I'll say a Hail Mary for you . . . "
Even in the short span of length these stories do an excellent characterization. “The Duchess and the Jeweller” by Virginia Woolf is a short story about Oliver, a poor man who has become a successful jeweler, and his interaction with a Duchess. The relationship between Oliver and the Duchess is confirmed in Oliver's acknowledgement that “They were friends, yet enemies; he was master, she was mistress; each cheated the other, each needed the other, each feared the other... “. Oliver’s even talks to his dead mother’s picture and they show a different characterization altogether.
Short stories are also deeply engaging and make us wonder about various topics. “The Dream” by Somerset Maugham tells the story of a Russian whom the author meets. The wife of the Russian was having a dream that she is killed by her husband. She regularly saw this dream and one day she was found dead for real. The story doesn’t conclude on who killed her but it left many questions in the reader’s mind.
Thus short stories are small packets of meaningful communication.